Archive | November, 2014

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Ballet stars beautiful dance among us

Posted on 30 November 2014 by admin

The Nutcracker, Romeo and Juliet, Sleeping Beauty – ballet makes up so much of the music we know and love, but what about the dancers? We thought we’d find out what they really look like off duty, with these incredible pictures by photographer Jordan Matter.

 

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“you’ve got something that’s quite unique.” Hugh Bonneville talked about Downton Abbey

Posted on 29 November 2014 by admin

Bonneville says he has encountered many people who get caught up in the series when they only intended to watch a single episode.

“There’s a strange thing… a page-turning compulsion about it,” he says. “They’re still there at two in the morning because they’re hooked on it. People love watching whole seasons of it in one chunk.”

The actor says he himself was addicted from the moment he read the first script.

“By the end of it I had met about 16 characters who were all incredibly vivid in my head, which was quite rare,” he says. “They all had their own voice and, most importantly, I wanted to know what happened next.”

Bonneville is now instantly recognisable from his seven years playing the Earl of Grantham. So how, asks Charlotte Green, does he cope with the increased exposure the role has brought him?

“It goes with the territory and you just have to accept it,” he says. Bonneville cites fellow Downton actor Robert James-Collier, who told him, “The difference between American fans and British fans… In America they cross the road to tell you how much they love the show, and in Britain, they cross the road to tell you they don’t watch it.”

“I felt a real sense of ownership that Paddington was my pal and this was my world,” he says. “I have to say within a page of the script I had been drawn into the world that was created and I was laughing out loud and had a lump in my throat in all the right places.”

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The greatest American composers ever

Posted on 28 November 2014 by admin

Leonard Bernstein

Leonard Bernstein’s big break came quite by chance when he was called to conduct the New York Philharmonic Orchestra at the last minute when Bruno Walter was struck down with flu. Bernstein never looked back and went on to become one of the great names in American music. A hugely talented conductor and pianist, he is best known for West Side Story that catapulted him into the mainstream. Born in Massachusetts to Ukrainian parents, he moved to New York after graduating from Harvard, where he became firm friends with Aaron Copland. Bernstein died in 1990 and as the funeral procession made its through the streets of Manhattan to his final resting place in Brooklyn, construction workers removed their hats and waved, yelling “Goodbye, Lenny”.

John Williams

Think of a major blockbuster from the past 40 years, and it’s likely John Williams provided the music: Stars Wars, E.T., Jurassic Park and Schindler’s List are just a tiny list of the films that Williams has soundtracked. Born in Long Island in 1932 Williams has won five Academy Awards and four Golden Globe Awards and was was inducted into the Hollywood Bowl Hall of Fame in 2000.

Igor Stravinsky

Stravinsky was quite the jet-setter. Born in Russia, he lived in Switzerland and France before moving to Los Angeles after the outbreak of World War II. He would live in this city longer than anywhere else and became a fully-fledged United States citizen in 1945. His time in West Hollywood was a long way from his lonely schooldays in St Petersburg as Stravinsky struck up friendships with other European ex-pats such as W. H. Auden, Christopher Isherwood, Dylan Thomas and Aldous Huxley. His most prolific period may have been behind him, but he still occasionally conducted the Los Angeles Philharmonic at the Hollywood Bowl. But it wasn’t all smooth sailing in the States when Stravinsky ran into trouble with the authorities in 1944 with his unconventional major seventh chord arrangement of The Star-Spangled Banner. In later life, Stravinsky moved to New York where he lived until his death in 1971, aged 88

Eric Whitacre

One of America’s most recognisable, and most successful contemporary composers, Nevada-born Eric Whitacre has become a household name across the globe. A versatile musician, he’s written for the London Symphony Orchestra and Chorus, Julian Lloyd Webber, the Philharmonia Orchestra and composed film scores; his musical, Paradise Lost: Shadows and Wings, has won a host of awards while his record, Cloudburst, was an international best-seller and even earned him a Grammy. But perhaps his most exciting project is his Virtual Choir that brings together people from around the world to sing in a truly global performance via YouTube.

Philip Glass

Maryland-born Philip Glass has had a long and varied career, collaborating with everyone from Leonard Cohen to Martin Scorsese and encompassing all musical genres. Despite gaining a wide audience outside the concert hall, Glass describes himself as a classicist writing works for the musical group which he founded, the Philip Glass Ensemble. He has picked up several awards for his soundtracks, including an Oscar for his score to The Truman show and a BAFTA for The Hours. Jiří Kylián’s ballet Wings of Wax featured the music of Philip Glass alongside that of Bach’s. Pictured is the Netherlands Dans Theatre dancing a scene from the ballet at the Edinburgh Festival Theatre in 2008.

Elmer Bernstein

A friend of Leonard but no relation, Brooklyn-born Elmer is most famous for his numerous film scores. Amongst his great achievements were the soundtracks to The Magnificent Seven, The Ten Commandments, The Great Escape, To Kill a Mockingbird, and Ghostbusters. He won an Oscar for his score to Thoroughly Modern Millie in 1967.

Steve Reich

Along with Philip Glass, New Yorker Steve Reich is credited with spearheading the minimalist movement and helped change the landscape of classical music. His experimental works, that include ‘Come Out’, a work that features the spoken voice of one of the Harlem Six victims, led the New York Times to call him “our greatest living composer”. Reich was awarded the Premium Imperial award in Music in October 2006 in Tokyo. The award highlights endeavour in areas of the arts not covered by the Nobel Prize In October 2006 in Tokyo.

Samuel Barber

Samuel Barber was born in West Chester, Pennsylvania, and took a great interest in music from a young age. He wrote his first work The School for Scandal when he was just 21. A few years later he wrote the piece that he would become synonymous with, Adagio for Strings. In its original form it’s part of a string quartet but he was urged to rearrange it for a full orchestra by Arturo Toscanini. Adagio for Strings was a huge success even before it was used so movingly in Oliver Stone’s Platoon. The Metropolitan Opera’s home at the Lincoln Center (pictured) was opened in 1966 with a special work commissioned for the opening by Samuel Barber entitled “Anthony and Cleopatra.

Jay Ungar

Another New York born composer, Ungar is perhaps known for his Ashokan Farewell. It’s a piece of music written as a farewell waltz for the annual Ashokan Fiddle & Dance Camps, that Ungar ran with his wife at at the Ashokan Reservoir lakefront campus in the state of New York. The tune was later used as the title theme of the 1990 US mini-series, The Civil War.

Morten Lauridsen

Lauridsen’s fantastic body of work, which includes O Magnum Mysterium, Contre Qui, Rose and Dirait-on has made him the most-frequently performed American choral composer. Born in Washington State in 1943, he moved south to study composition at the University of Southern California in the early 1960s. He still teaches there to this day, splitting his time between the university and Waldron Island off the coast of Washington State where he writes in a converted general store. The 2012 documentary film Shining Night: A Portrait of Composer Morten Lauridsen (DVD pictured) follows the composer from his Waldron Island retreat to rehearsals in California and Scotland.

George Gershwin

Born in Brooklyn to a Ukrainian father of Jewish descent and a Russian mother, George Gershwin straddled the classical and popular line with great success. He is best known for his orchestral compositions Rhapsody in Blue and An American in Paris, as well as his opera Porgy and Bess (pictured). Based on DuBose Heyward’s novel Porgy, the opera tells the story of African-Americans living in the slums of 1920s South Carolina. In caused quite a stir when it opened in segregated New York in 1935 with an all-black, classically trained cast. Gershwin’s famous work wasn’t accepted as a legitimate opera in the USA until the 1970s, but is now considered part of the operatic repertoire and is regularly performed internationally.

Danny Elfman

Danny Elfman and Tim Burton’s collaborations have become as integral as Burton’s relationship with Johnny Depp, but the Los Angeles-born composer owes arguably his greatest hit to certain yellow cartoon characters. In addition to composing The Simpsons main title theme, Elfman has composed the soundtracks to all bar two of Burton’s films. He even provided the singing voice for Jack Skellington in Tim Burton’s The Nightmare Before Christmas. When he’s not busy stamping his musical mark on popular cultural, Elfman is the lead singer in rock band, Oingo Boingo.

John Cage

A musical maverick, John Cage was born in Los Angeles in 1912 and became a pioneer of new ways of playing and approaching music. He became one of the leading figures of the post-war avant-garde and is best known for his 1952 composition 4’33”, a piece performed in the absence of deliberate sound where audiences are asked not to listen to musicians but to the sounds around them. He also wrote several concert pieces and dance-related works, including Sonatas and Interludes on a piano that had objects placed between the hammers and strings.

Aaron Copland

Aaron Copland was born in Brooklyn in 1900 to Lithuanian parents. Copland’s passion for European music lead him to the continent in his 20s, but he returned to the States inspired to become a full-time composer. Despite struggling through the Depression years, Copland finally found success with his soundtracks to Of Mice and Men and Our Town. Along with his good friend Leonard Bernstein (who he’s pictured with) he tapped into a sense of North American identity through his ballet scores that include Billy The Kid and Rodeo, which established him as a serious voice in American music.

Charles Ives

Charles Ives was arguably the first American composer to become internationally well-known, conquering the world with his own unique blend of popular music, church music traditions and European influences. The Connecticut native wrote what is considered by many to be the first radical musical work of the 20th century, Central Park in the Dark, a piece that combined the popular music of the day with classical strings. But his masterpiece is the Fourth Symphony, a hugely ambitious piece that the composer described as, “Better than any other thing I’ve done”. The first documented performance of the piece took place at an all-Ives concert at the McMillin Theatre at Columbia University (pictured) in 1946.

Charles Pachelbel

Not to be confused with his more famous (and more German) father Johann Pachelbel, Charles was one of the first European composers to take up residence in the new American colonies. He also has the distinction of being the most famous musical figure in early Charleston, South Carolina (pictured). It’s unclear as to why Pachelbel uprooted his family, but Pachelbel had made it to Boston by 1733 where he assisted in the installation of the new organ of Trinity Church in Newport, Rhode Island. Few of Pachelbel’s works survive; his most famous is an aria ‘God of sleep, for whom I languish’ while his Magnificat for double choir is remains a popular choral work.

Arnold Schoenberg

Born in Vienna, Jewish Arnold Schoenberg was forced out of Europe by the rise of the Nazis, taking a teaching position in the United States at the Malkin Conservatory in Boston. He later settled in California where he befriended fellow composer (and tennis partner) George Gershwin and began teaching at UCLA where his students included John Cage.

Erich Wolfgang Korngold

Very unfashionable by the time of his death in 1957, Korngold’s works have enjoyed a renaissance recently. The Austro-Hungrarian composer came to Hollywood in 1934 at the bequest of his friend Max Reinhardt who wanted him to adapt Mendelssohn’s music for A Midsummer Night’s Dream to his film version. Korngold soon found success in Hollywood, composing many film scores including the one that he will always be remembered for, 1938’s The Adventures of Robin Hood starring Er…

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Scientists, politicians and the Archbishop exhumed Chopin’s heart

Posted on 27 November 2014 by admin

When Chopin died in 1849 his body was buried in Paris but his heart was taken to Warsaw, as requested by the composer on his deathbed. The heart was sealed in what is believed to have been a jar of cognac and smuggled into the Polish city before being interred in a pillar at the Holy Cross Church (pictured above ).

A team of experts, including scientists, officials and the Archbishop of Warsaw, went to the church just before midnight on 14 April this year to remove the heart for an inspection.

The 13 people present at the exhumation were sworn to secrecy and details of the unusual gathering were only released in September.

Tadeusz Dobosz, a forensic scientist present at the inspection, said: “The spirit of this night was very sublime.”

The team took hundreds of photographs, carried out an inspection of the composer’s heart and added hot wax to the jar’s seal to prevent further evaporation of the original preservative liquid. The Archbishop said prayers over the heart before it was returned to its resting place in the pillar.

Chopin experts have long been keen to carry out tests on the composer’s heart to try and find out whether he died of tuberculosis, as is generally believed. But the Polish church and government have been reluctant to give permission. This inspection was only sanctioned after a scientist warned that the alcohol containing the organ might have evaporated after all these years.

None of the photos taken at the exhumation have been released, however. “We don’t want this to be a media sensation with photos of the heart in the newspapers,” explained Artur Szklener, director of the Frederic Chopin Institute. But a reporter for Associated Press was shown the photos which they described as showing the organ: “an enlarged white lump submerged in an amber-coloured fluid in a crystal jar”.

Some experts have been critical of the lack of transparency surrounding the exhumation. Steven Lagerberg, who has written a book on the composer, told Associated Press he wished genetic tests had been carried out on the heart. “The mystery of this man’s illness lingers on — how he could survive for so long with such a chronic illness and how he could write pieces of such extraordinary beauty,” Lagerberg said. “It’s an intellectual puzzle, it’s a medical mystery and it’s an issue of great scientific curiosity.”

But the culture minister present on 14 April, Bogdan Zdrojewski said: “We in Poland often say that Chopin died longing for his homeland. Additional information which could possibly be gained about his death would not be enough of a reason to disturb Chopin’s heart.”

Curious scientists will now have to wait until the next inspection – due in 50 years’ time.

 

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